identity

Tilt World: Deep in the Mirror

Concept: To investigate the  visual and physical effects of using the “mirror” setting in Tilt Brush. Methodology:I investigated standing with my body on the intersection of the mirror. As I moved my right arm with the paint controller and did the same thing with my other hand, it appears that…

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Tilt World: Outside Eye and Co-Creation

Concept: To investigate an outside perspective on rehearsals and work with dancers Jackquie Sochacki and Michelle Sipes. Methodology: In the first rehearsal, Jacquie wore the unconnected headset as if blindfolded to feel the weight of it and allow Michelle to guide her more deeply. The second rehearsal, Jacquie, never having…

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Tilt World: Sound, Color, & Feedback

  Concept: The premise for this rehearsal was primarily to choreograph a sequence that specifically addressed the use of sound in Google’s Tilt Brush to be shown during Daniel Robert’s Graduate Composition class (above). Tilt World rehearsals (Jan 2020 – May 2020) are geared toward building an improvisational score, group…

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Loïe Fuller: The Body Prosthetic

In this paper, I explore the role of technology during the interwar period through Loïe Fuller’s use of what Julie Townsend calls “theatrical prosthesis,” wooden extensions to lengthen the arms, fabric, and electric light (Townsend 1991, 73). Addressing the spectatorial aesthetic result of the normalization of prosthetic limbs during the…

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Tilt World’s 2nd Iteration

My final “Tilt Brush” iteration this semester was an installation/performance during ACCAD’s open house on April 5th in the Motion Lab. The audience/participants entered a circle of projection screens where cardboard boxes, feather boas, pool noodles, and random small balls littered the space. Tasks were written on cards around the…

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Split wide open

With my perceptions split wide open (with the floodgates of information that is downloading into my brain) including Queer Theory, Gender Theory, Philosophers Husserl, Butler, Foucault, Kristeva, all bodies and their labels, “The Explicit Body,” Daphne Brooks’ “Bodies in Dissent,” Drew Leder’s “The Absent Body,” readings on the complicated reality…

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It’s about trusting the process, coloring the lines and angling your approach

This semester has resulted in a real community of support. My grad-cohort is awesome and most if not all the preliminary tools I need to make, write, create, put forth work and fail have been introduced to me in our “Foundations in Dance Research” course. “Laban Systems: Movements, Methods, and Analytical…

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The “aboutness” of Digital Recess

Our final performance in Intermedia was the culmination of three months of “digital recess” as coined by a former student of Norah’s. It was so exciting to have two willing participants wheeled into our playground like “Mr. Toad’s Wild Ride”from Disney’s Magic Kingdom. That’s not a metaphor, they were sat…

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