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Research > Experiment > Workshop: Theater as Laboratory

In a workshop called Theater as Laboratory: Experimentation with Non-Human Partners in Expanding Dramaturgies with Rebecca Rouse & Ashley Ferro-Murray, the other participants and myself were tasked with creating something in response to their research surrounding the Oskar Schlemmer’s Triadic Ballet and the ideas of technology as extensions of the body. This…

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Neon Alchemy

What is collaboration? The term is usually used when something or someone is needed by another and then they are asked to collaborate on a project that isn’t their project. Whether a dancer in someone else’s choreography, a creator of projections for a director’s vision, or even the motion capture…

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REVEAL

Where are the boundaries of your flesh and who determines them? How do we effect our surroundings? What is revealed from our actions? In “Reveal,” Angela Pujolas stretches, separates, and ducks the hot pink extensions of her frame imagining and opening alternative and simultaneous worlds of vivid color. REVEAL creates…

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Iteration X: Extending the Body

This is the first cycle of my MFA Thesis. I envision my thesis as a three part process (or more). This first component was part of an evening walk around the OSU Arboretum with my MFA 2021 Cohort. To see an idea of the full event around the lake and…

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Stay with the Questions

Whether getting lost in time and space as I carve thick paint across a black void, loosing myself in an improvisation only to find I have created a Jackson Pollack, or watching my daughters navigate a virtual landscape with excitement, yelling, “Go toward the pink puffy stuff!” I’m continually amazed…

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Devising Experiential Media Systems: The pressure is on

Under the instruction of Alex Oliszewski, we were to create a self generating patch in 3 hours (no more, no less). He calls this time-limit method of creation a Pressure Point Project. Goals:To use the Live Drawing actorTo deepen my understanding of user actors and macros. Challenges: Finessing transitions between…

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Jo & Doozy: Human Motion Sequence

Concept: To build a choreographic story in Motionbuilder’s story mode from a seed of an idea I began when an elf character, Jolleen, created a glowing ball in her hands. Methodology: I downloaded the models (Jolleen and Doozy) from Mixamo, 0’ed out portions of the skeletons, characterized, and assigned control…

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Pome Fruit of an Unusually Cultivated Tree

Concept: Create a solo taking into consideration costume, sound, and light for Graduate Composition with Daniel Roberts. Two prompts were given: 1) to consider the perspective of the video or videographer when designing pathways and 2) use small and large objects to place within the performance space while using the…

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Tilt World: Deep in the Mirror

Concept: To investigate the  visual and physical effects of using the “mirror” setting in Tilt Brush. Methodology:I investigated standing with my body on the intersection of the mirror. As I moved my right arm with the paint controller and did the same thing with my other hand, it appears that…

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Tilt World: Outside Eye and Co-Creation

Concept: To investigate an outside perspective on rehearsals and work with dancers Jackquie Sochacki and Michelle Sipes. Methodology: In the first rehearsal, Jacquie wore the unconnected headset as if blindfolded to feel the weight of it and allow Michelle to guide her more deeply. The second rehearsal, Jacquie, never having…

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